Good Quality for ASTM A193 B7 Tap End Studs Double End Studs for Seattle Importers

ASTM A193/A193M B7 Tap End Studs Double End Studs API Flange Valve Wellhead Tap End Studs Alloy steel bolting for pressure vessels, valves, flanges, and fittings for high temperature or high pressure service, or other special purpose applications.   Standard: IFI-136, ASME B16.5 Inch Size: 1/4”-4” with various lengths Metric Size: M6-M100 with various lengths Other Available Grade: ASTM A193/A193M B7, B7M, B16 B8 Class 1 & 2, B8M Class 1 & 2, ASTM A320/A320M L7, L7M, L43, B8 Class 1 & 2, B8M Class 1 & 2, and so on. Finish: Plain, Black Oxide, Zinc Plated, Zinc Nickel Plated, Cadmium Plated, PTFE etc. Packing: Bulk about 25 kgs each carton, 36 cartons each pallet Advantage: High Quality and Strict Quality Control, Competitive Price,Timely Delivery; Technical Support, Supply Test Reports Please feel free to contact us for more details.

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    Pañc hazar chakra kai andar for Three Percussionists, Prepared Pianoforte and Tape, no. 373b (2000, Rev. 2005)
    Composed by Andrián Pertout

    Recorded at BMW Edge, Federation Square, Melbourne, Australia, 25 July, 2006
    Speak Percussion: Peter Neville — crotales, clock chimes; Eugene Ughetti — lujon; Timothy Phillips — log drum; Ashley Hribar — prepared pianoforte

    ‘Pañc hazar chakra kai andar’ or ‘Within Five Thousand Cycles’ is a piece for Yamaha Disklavier that attempts to explore the instrument within the context of John Cage inspired piano preparations (utilizing machine screws, flat mudguard and standard washers, plastic and brass olives, paper clips, cup head bolts, hex full nuts, white board and fold back clips), North Indian ‘Hindustani’ derived cyclic rhythmic patterns (juxtaposing two contrasting talas: Jhumra, 14/4 or 3 + 4 + 3 + 4 and Champak sawari, 11/4 or 4 + 4 + 1½ + 1½), analogue synthesis (including Arp 2600 LFO/Sine Wave filter sweeps, envelope filtering and Mu-tron Bi-Phasing), digital effects processing (ring modulation, distortion, 4-band eq, chorus, reverb, delay), studio generated harmonic resonance or ‘sympathetic vibrations’ and modern digital hard-disk recording technology. In 2005, the work was arranged for Three Percussionists, Prepared Pianoforte and Tape at the Request of Australian Ensemble Speak Percussion.

    www.pertout.com



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