Hex Head Bolts Price - ASTM A320 L7 All Threaded Rods Threaded Bars – Dingshen Metalworks

ASTM A320/A320M L7 All Threaded Rods Threaded Bars Standard: IFI-136, ASME B16.5, DIN975 Inch Size: 1/4”-2.1/2” with various lengths Metric Size: M6-M64 with various lengths Other Available Grade: ASTM A193/A193M B7, B7M, B16 B8 Class 1 & 2, B8M Class 1 & 2, ASTM A320/A320M L7, L7M, L43, B8 Class 1 & 2, B8M Class 1 & 2, and so on. Finish: Plain, Black Oxide, Zinc Plated, Zinc Nickel Plated, Cadmium Plated, PTFE etc. Packing: Bulk about 25 kgs each carton, 36 cartons each pallet Advantage: High Quality and Strict Quality Control, Competitive Price,Timely Delivery; Technical Support, Supply Test Reports Please feel free to contact us for more details.

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    A team of losers attempt to pull off mass revenge against a past traitor; required to win a dance competition as part of the plan, they get entangled with the presence of a somewhat unintelligent local dance performer who cannot learn the backstory of the betrayal.

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    Pañc hazar chakra kai andar for Three Percussionists, Prepared Pianoforte and Tape, no. 373b (2000, Rev. 2005)
    Composed by Andrián Pertout

    Recorded at BMW Edge, Federation Square, Melbourne, Australia, 25 July, 2006
    Speak Percussion: Peter Neville — crotales, clock chimes; Eugene Ughetti — lujon; Timothy Phillips — log drum; Ashley Hribar — prepared pianoforte

    ‘Pañc hazar chakra kai andar’ or ‘Within Five Thousand Cycles’ is a piece for Yamaha Disklavier that attempts to explore the instrument within the context of John Cage inspired piano preparations (utilizing machine screws, flat mudguard and standard washers, plastic and brass olives, paper clips, cup head bolts, hex full nuts, white board and fold back clips), North Indian ‘Hindustani’ derived cyclic rhythmic patterns (juxtaposing two contrasting talas: Jhumra, 14/4 or 3 + 4 + 3 + 4 and Champak sawari, 11/4 or 4 + 4 + 1½ + 1½), analogue synthesis (including Arp 2600 LFO/Sine Wave filter sweeps, envelope filtering and Mu-tron Bi-Phasing), digital effects processing (ring modulation, distortion, 4-band eq, chorus, reverb, delay), studio generated harmonic resonance or ‘sympathetic vibrations’ and modern digital hard-disk recording technology. In 2005, the work was arranged for Three Percussionists, Prepared Pianoforte and Tape at the Request of Australian Ensemble Speak Percussion.

    www.pertout.com